Meticulous Digital Works Layer Petals, Leaves, and Natural Textures into Fantastic Creatures

Detail of “Kulu.” All images © Josh Dykgaaf, shared with permission

Melbourne-based artist Josh Dykgraaf has a discerning eye for matching two seemingly disparate elements. In his ongoing Terraforms series, autumn leaves become feathers, magnolia petals wind into scales, and plumes form fins that swish through water. Each illustration merges flora and fauna into an entirely new fantastical creature, and a single piece can take days to complete, with the pair of Tawny Frogmouths, for example, clocking in at 55 hours and more than 3,000 layers.

“My process for how I pair natural textures with animals is usually a bit like cloud gazing—like as a kid, did you ever stare up out the clouds and make out different forms and shapes among them?” Dykgraaf says, noting that he takes all of his own photographs of the source materials on hikes or walks around his neighborhood. Once he returns to his studio, he painstakingly collages the extraordinary creatures, coating a closed beak in bark or an echidna in regrown brush following the East Gippsland fires.

In the coming months, Dykgraaf is shifting to a portrait series focused on Indigenous people around the world. His digital works will be included in The Other Art Fair in Sydney from March 18 to 21 and the virtual edition, which runs March 23 to 28. Until then, see a larger collection of the intricately constructed creatures on Behance and Instagram, and pick up a print from his shop. (via designboom)

 

Detail of “Tawu Tawu”

Detail of “Burooli”

“Bunyjul”

Detail of “Kulu”

Left: “Burooli.” Right: “Thaumus”

“Kulu”

“Tawu Tawu”

“Tjirilya”

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